Search results for "littérature sud-africaine"
showing 6 items of 6 documents
Afrofuturisme : une (re)naissance littéraire sud-africaine ?
2022
André Brink and the Afrikaner Heritage
2004
This paper shows how André Brink, dissident Afrikaans writer, tried to write against his heritage. The most visible strategy consisted in redefining Afrikanerdom as dissidence and as africanity. The notion of betrayal was systematically reversed so that the Afrikaners who supported the Afrikaner regime were presented as the real traitors. Yet dissidence was not an easy position for Brink and both he and his heroes had ambivalent positions.
Un post-humain post-apartheid ? Moxyland et Zoo Fiction de Lauren Beukes
2014
International audience
Le "changement de langue" d’Antjie Krog : "Babel heureuse"?
2010
This article examines the relationship between Afrikaans and English in post-apartheid South Africa though the prism of a specific example, Antjie Krog's Change of Tongue, whose generic and linguistic statuses plays on ambiguity and bilingualism.
Guérir les blessures de l'Afrique du Sud
2009
On the eve of the democratic elections scheduled in South Africa in 2009, this collection of essays analyses the many ways in which South Africans have been trying to heal the wounds of apartheid, as advocated in Nelson Mandela’s famous 1994 speech, delivered at the dawn of the ‘ new ’ South Africa. The articles encompass such diverse fields as politics, literature, cinema, welfare policies or education, and they all seek to explore the sea change which totally reshaped South African identity in the last fifteen years that followed the demise of apartheid. The notion of ‘ healing the wounds’ is used both as a pretext and as a focal point to build up as complete a picture as possible of Sout…
Friday Black et Intruders : lecture croisée au prisme de l'afrofuturisme
2022
This article contrasts “The Finkelstein 5” and “Zimmer Land”, from Nana Kwame Adjei Brenyah’s short story collection Friday Black (2018) with the “Untitled” series from Mohale Mashigo’s Intruders (2018), using Mark Dery’s definition of Afrofuturism as a reading grid and a starting point. While both collections draw on the codes of science fiction and dystopia to portray racialized characters in futuristic settings to examine their relation to technology and their place in fictional ‘future’ societies, they take on different approaches. The article concludes that Adjei-Brenyah’s writing, in Friday Black, leans towards what could be termed ‘Afropresentism’ based on François Hartog’s definitio…